਍㰀猀琀礀氀攀 琀礀瀀攀㴀∀琀攀砀琀⼀挀猀猀∀㸀ഀഀ .BODY { background-color: #EAF1F7; background-image: url('images/gtbh.jpg'); background-repeat: no-repeat; background-attachment: fixed; background-position: center; color: #0066CC;} ਍⸀䌀㄀笀琀攀砀琀ⴀ愀氀椀最渀㨀 樀甀猀琀椀昀礀㬀挀漀氀漀爀㨀 ⌀  㘀㘀䌀䌀㬀䘀伀一吀ⴀ猀椀稀攀㨀 匀䴀䄀䰀䰀㬀䘀伀一吀ⴀ昀愀洀椀氀礀㨀 吀愀栀漀洀愀㬀紀ഀഀ .BIB{text-align: center;color: #000099;FONT-size: SMALL;FONT-family: Tahoma;} ਍⸀䌀伀一吀笀琀攀砀琀ⴀ愀氀椀最渀㨀 爀椀最栀琀㬀挀漀氀漀爀㨀 ⌀䘀䘀    㬀䘀伀一吀ⴀ猀椀稀攀㨀 匀䴀䄀䰀䰀㬀䘀伀一吀ⴀ昀愀洀椀氀礀㨀 吀愀栀漀洀愀㬀紀ഀഀ ਍㰀䴀䔀吀䄀 栀琀琀瀀ⴀ攀焀甀椀瘀㴀∀挀漀渀琀攀渀琀ⴀ琀礀瀀攀∀ 挀漀渀琀攀渀琀㴀∀琀攀砀琀⼀栀琀洀氀㬀 挀栀愀爀猀攀琀㴀唀吀䘀ⴀ㠀∀㸀㰀⼀䠀䔀䄀䐀㸀ഀഀ ਍㰀䘀伀一吀 䄀䰀䤀䜀一㴀∀䨀唀匀吀䤀䘀夀∀ 䘀䄀䌀䔀㴀∀吀愀栀漀洀愀∀㸀ഀഀ

AÑJULĪĀ (Ṅ), by Gurū Arjan, is a short composition comprising two hymns entered in the Gurū Granth Sāhib under Mārū musical measure (GG, 1019). This word añjulīā (ṅ) is the plural form of Sanskrit añjulī which means the joining together of palms in supplication, reverence or salutation. The word añjulīāṅ in its plural sense has been used in the title perhaps because the composition comprises two hymns. It contains prayer to God seeking from Him the gift of nām, i. e. meditation on His Name or constant remembrance or repetition of His Name. Everything in this world happens by His Will and those who are favoured by Him practise nām in holy company (saṅgat). The tragedy of man is that he seeks happiness in material life sans any spiritual reference. That is why he is ever in misery : when he has material possessions in plenty, he fears he might not lose them, and when he lacks these, he pines for them. In fact, this misery is owed neither to the excess of nor to the meagreness of material possessions, but to man's egoistic pursuits that guide his life in the world. Human life in this phenomenal world is transitory.

਍㰀瀀 挀氀愀猀猀㴀∀䌀㄀∀㸀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀☀渀戀猀瀀㬀㰀椀㸀䄀樀甀氀☀⌀㈀㤀㤀㰀⼀椀㸀 椀猀 愀氀猀漀 琀栀攀 琀椀琀氀攀 漀昀 愀渀漀琀栀攀爀 漀昀 䜀甀爀☀⌀㌀㘀㌀ 䄀爀樀愀渀✀猀 栀礀洀渀猀 椀渀 洀攀愀猀甀爀攀 䴀☀⌀㈀㔀㜀爀☀⌀㌀㘀㌀ ⠀䜀䜀Ⰰ ㄀  㜀ⴀ 㠀⤀⸀ 吀栀攀 栀礀洀渀 爀攀樀攀挀琀猀 琀栀攀 爀椀琀甀愀氀 漀昀 㰀椀㸀愀樀甀氀☀⌀㈀㤀㤀㰀⼀椀㸀 愀猀 氀椀戀愀琀椀漀渀 琀漀 琀栀攀 洀愀渀攀猀 愀渀搀 琀攀愀挀栀攀猀 洀愀渀 眀椀氀氀椀渀最氀礀 琀漀 愀挀挀攀瀀琀 䜀漀搀✀猀 㰀椀㸀戀栀☀⌀㈀㔀㜀☀⌀㜀㜀㔀㄀☀⌀㈀㔀㜀㰀⼀椀㸀 漀爀 䠀椀猀 圀椀氀氀⸀ 吀栀攀 眀漀爀搀 㰀椀㸀愀樀甀氀☀⌀㈀㤀㤀㰀⼀椀㸀 愀氀猀漀 漀挀挀甀爀猀 椀渀 愀 栀礀洀渀 戀礀 䜀甀爀☀⌀㌀㘀㌀ 刀☀⌀㈀㔀㜀洀 䐀☀⌀㈀㔀㜀猀 椀渀 洀攀愀猀甀爀攀 䜀愀甀☀⌀㜀㜀㜀㄀☀⌀㈀㤀㤀 ⠀䜀䜀Ⰰ ㄀㜀㄀⤀ 爀攀瀀攀愀琀攀搀 椀渀 琀栀攀 㰀椀㸀匀漀栀椀氀☀⌀㈀㔀㜀㰀⼀椀㸀 ⠀䜀䜀Ⰰ ㄀㈀ⴀ㄀㌀⤀⸀ 伀渀攀 椀猀 愀搀樀甀爀攀搀 琀漀 漀昀昀攀爀 㰀椀㸀愀樀甀氀☀⌀㈀㤀㤀㰀⼀椀㸀 漀爀 猀愀氀甀琀愀琀椀漀渀 琀漀 琀栀攀 䰀漀爀搀 眀栀椀挀栀 挀漀甀渀琀猀 愀猀 愀渀 愀挀琀 漀昀 瘀椀爀琀甀攀⸀ 䄀氀琀栀漀甀最栀 琀栀攀 䘀愀爀☀⌀㈀㤀㤀搀欀漀☀⌀㜀㜀㠀㤀 ☀⌀㜀㜀㠀㠀☀⌀㈀㤀㤀欀☀⌀㈀㔀㜀 搀攀猀挀爀椀戀攀猀 㰀椀㸀愀樀甀氀☀⌀㈀㤀㤀㰀⼀椀㸀 愀猀 愀 㰀椀㸀挀栀栀愀渀搀㰀⼀椀㸀 漀爀 愀 瀀爀漀猀漀搀椀挀 昀漀爀洀Ⰰ 椀琀 椀猀 攀洀瀀氀漀礀攀搀 椀渀 琀栀攀 䜀甀爀☀⌀㌀㘀㌀ 䜀爀愀渀琀栀 匀☀⌀㈀㔀㜀栀椀戀 最攀渀攀爀愀氀氀礀 愀猀 愀 猀礀渀漀渀礀洀 昀漀爀 猀愀氀甀琀愀琀椀漀渀 漀爀 猀甀瀀瀀氀椀挀愀琀椀漀渀⸀㰀⼀瀀㸀ഀഀ ਍㰀瀀 挀氀愀猀猀㴀∀䈀䤀䈀∀㸀ഀഀ BIBLIOGRAPHY

  1. Shabdārth Srī Gurū Granth Sāhib Jī, vol. III. Amritsar, 1964
    ਍㰀氀椀 挀氀愀猀猀㴀∀䌀㄀∀㸀㰀椀㸀☀⌀㈀㔀㘀搀椀 匀爀☀⌀㈀㤀㤀 䜀甀爀☀⌀㌀㘀㌀ 䜀爀愀渀琀栀 匀☀⌀㈀㔀㜀栀椀戀 䨀☀⌀㈀㤀㤀 匀愀☀⌀㜀㜀㠀㤀椀欀㰀⼀椀㸀⠀䘀愀爀☀⌀㈀㤀㤀搀欀漀☀⌀㜀㜀㠀㤀 嘀☀⌀㈀㔀㜀氀☀⌀㈀㔀㜀 ☀⌀㜀㜀㠀㠀椀欀☀⌀㈀㔀㜀⤀ 嬀刀攀瀀爀椀渀琀崀⸀ 倀愀琀椀愀氀愀Ⰰ ㄀㤀㜀 㰀䈀刀㸀ഀഀ

Dharam Siṅgh


਍㰀⼀昀漀渀琀㸀ഀഀ ਍㰀⼀䠀吀䴀䰀㸀㰀⼀䈀伀䐀夀㸀ഀഀ